UFOs & The Black Lodge: Blue Rose Report Part 2.1 - CryptoUFOlogy
by SMiles Lewis

“My Dream is a Code Waiting to Be Broken. Break the Code, Solve the Crime.” - FBI Special Agent Dale Cooper
In the small idyllic border town of Twin Peaks, Washington, tucked away in the forested mountains, a murder mystery unfolds involving the killing of the local high school prom queen, Laura Palmer. When a second high schooler, and potential victim of the same killer, crosses the State’s border, the FBI sends Special Agent Dale Cooper to investigate what we later find out, in the prequel, is one of FBI Bureau Chief Gordon Cole’s (played by David Lynch) “Blue Rose Cases.” And so begins the strange tale of mysterious communications and fantastic encounters that engulfs the town of Twin Peaks and the lives of all its quirky inhabitants, including its newest arrival, Special Agent Cooper.
The initial storyline would seem to be far removed from the world of UFOlogical secrets, but for the occasional paranormal manifestations, mysterious visions, and precognitive dreams of Cooper and certain townsfolk. In fact the acronym U.F.O. is only uttered once in
the series and not at all in its subsequent prequel, Fire Walk With Me. It’s only in the second season, upon the return of Major Garland Briggs (after his abduction by a mysterious anomalous light accompanied by owls and a cloaked figure) and his mentioning of the Air Force’s Project Blue Book, that Dale Cooper says the words, “Unidentified Flying Objects.” (And also when Sheriff Truman asks in a subsequent episode, “What was Wyndham Earle doing investigating UFOs?”) But besides these two overt references to UFOs there are many subtle, covert themes threaded into the fabric of the Twin Peaks story that can be used to inform the more casual viewer about the truly strange nature of UFOs and related paranormal (and even parapolitical) phenomena. It is these covert references and allusions upon which we will focus our explication of the series and its prequel in upcoming installments of this column. While an average TV watcher viewing Twin Peaks might be aware of the classic modern UFO myths of military retrieval of crashed flying saucers, governmental cover-up of recovered aliens and supposed underground bases, bedroom visitation abductions, and the human / alien hybridization stories, they are not likely to be aware of the deeper connections in the Twin Peaks milieu which speak to the nature of the UFO’s darker CryptoUfological reality; the secret coded side of UFOs and the paranormal.

Comments(0) 
Posted April 23, 2008
Topic for Discussion: Given the proliferation in recent years of ufo / paranormal / dreamtime imagery in the media (VW’s “Reverse Engineered From UFO’s” ad comes glaringly to mind), do you feel that this is actually changing or affecting the phenomenon itself? Is the mass-media consciousness causing the UFO phenomenon to change the way it interfaces with us?
One of the first lessons of Buddhism, certain kinds of physics, and the courtroom is that people will see what they expect to see.
Perception of UFOs and whatever-they-are that inhabits them has morphed numerous times this century due to the influence of the various forms of media, so that one might well wonder if we are not dealing with shape-shifters here, rather than a concrete
phenomenon. Depictions of alien craft for the first half of this century–in magazines like Thrilling Wonder and Amazing–were primarily rockets, until the famous flying saucer coinage that came about after the Kenneth Arnold sighting. Similarly, the prototypical “grey alien” image did not really appear on the scene, in the public consciousness, until after the release of the movies Invaders From Mars (in which the big headed alien had tentacles, as I recall), and Invasion of the Saucer Men in the early 1950s.

intelligences / consciousnesses extant within the Universe. It is the urge-to-destiny of every lifeform to go beyond the confines of its original evolutionary environs and become a part of the galactic evolutionary process. It is this inevitability for which the human 

element. I have studied the beast close-up. I know where he nests and breathes. And I know how fearsomely he (or, in those rare cases, SHE) protects his (or her) babies from the cold, cruel world out there. I have seen these people rage out of control. I have seen them shield themselves behind walls of arrogance and self-delusion. I have seen them manufacture alternate realities and stand up to claim the fruits of other people’s hard labors. I have also seen them regress into chasms of self-hatred and wallow in the shallows of creative burnout. I have watched helplessly as beautiful dreams and best-laid plans were shot to hell in front of horrified eyes. I’ve even stood right next to a few of these bizarre creatures as they were calling “cut” on a scene, their faces twisted into desperate grimaces, signifying that they had no idea in hell how any of this shit was gonna cut together later. In one specific case, which I will never in a million years forget, a film writer-director turned to me after a particular performance in a scene did not please him … and slammed his fist through the nearest wall, breaking three of his fingers. I’m pretty sure he hoped I would forget about that a few days later. In fact, most people in Hollywood COUNT ON you to forget stuff like that a few days later. But, see … that’s just it, people. I’m a writer and it’s my job to remember stuff. (That’s usually so I can steal it for a story later.) I don’t forget it when something weird goes down—particularly when it has to do with one of my heroes on a movie set. It’s all burned forever in my brain … along with the many formative memories from childhood that made me wanna do this shit for a living in the first place.
Now here’s something that sounds like a truly unique local event…
Paul says, “It is an introduction and overview of how dowsing could be used to help search for ancestors’ final resting places.”













